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Social digital platforms are playing an increasingly important role in the development of interpersonal relationships, communities of solidarity, and social cohesion. But it's not quite that simple.
Socioculture is an indispensable part of the cultural landscape. It builds bridges, opens doors, and creates spaces for encounters among different milieus in our diverse society….
thanks to Ellen Loots for presenting our pitch on circulatiy, creativity, and entrepreneurship at 21st IECER Conference in Covilha….
Shaping relationships with the members of the Friends and Supporter Associations of our museums with empathy and ❤️ was the theme of the fully booked workshop within the professional development program of ICOM Switzerland.
happliy contributed to the the whitepaper for an open data policy in art and culture…
What lies ahead in the development of creative industries? And how can cultural and creative work help in the transformation of other industries as well as society in tackling challenges, both present, and future?…
… is chaper eight of this exiting book on Using Art for Social Transformation. I co-authored this with Oto Potluka from Center for Philanthropy Studies (CEPS) at Basel University.
…is the title of my contribution to workshop 8 NTA10 Conference «Digitisation and Culture» on 14-16 november 2022 in Bern.
was the title of the presentation I contributed to DEGEVAL-Congress in Linz, Austria.
In combination with the exciting contribution by Anke Schad-Spindler, we had a very inspiring discussion! Thanks to Thomas Renz and Thomas Heskia from AK Cultural Politics and Evaluation for the invitation:)
Read our new Article on new funding and financing strategies of museums in Museum Management and Curatorship.
Marek Prokupek from Kedge Business School (Paris) presented our joint research projects on funding and finance of museums at AIMAC Conference 2022 in New Mexico.
At the general meeting of the Association of cities with event venues that perform theatre plays (INTHEGA), Prof. Haselbach and I presented the survey concept, which is scheduled to start in September 2022.
…just published in Journal of Cultural Economics:).
It has been a pleasure working on the Issue with co-editors Ellen Loots (NL), Trine Bille (DK), Boram Lee (AUS), and Karol Borowiecki (DK).
…is part of the ICOM Switzerland course programme and is suitable for newcomers to museum fundraising management and those, who want to develop a concept for their collection of membership fees, donations and other third-party funds and resources. The course is held on 30 June (online) and 1 July 22 (in Kunsthaus Zürich)! Registration.
…, human rights are at extreme risk and numerous campaigns are raising funds to protect them and help civilians. It feels right to teach the fundraising module in the MA Governance and Human Rights in these times. Our issues have all of a sudden moved to the centre of public attention. The MA is recommended by the Human Rights Education Network of the UN High Commissioner for Human Rights.
…artistic refugee projects, internet memes, replicas in visual arts, music streaming, globalization and museum franchise, NFTs and the art markets, collaborative art, … were amongst the topics, explored in highly elaborated poster work by the students of MA Arts and Cultual Management in the module “Theories of cultural organization and production”. Fun to work with experienced and creative people from all over the world!
….. An exploration of museums’ financial strategies during and after COVID-19”. A presentation held together with Marek Prokůpek (CZ) and Ellen Loots (NL) at Université de Sorbonne (Online).
It was a pleasure for me to work with Prof. Dieter Haselbach and Nadja Kobler-Ringler on the study of the situation of music life before and during the Corona period on behalf of the German Music Council. Download
… for music life in Germany at the 2021 joint congress of the German Sociological Association (DGS) and the Austrian Sociological Association (ÖGS), together with Prof. Haselbach. Statistical evidence and beyond!
…was the titel of the panel at ACEI 2021 conference, where I had the opportunity to take part of a very inspiring discussion together with Victoria Ateca Amestoy (ES), Marnie Badham (AU), Enrico Bertacchini (IT), and Jen Snowball (SA), moderated by Ellen Loots and Tal Feder (both NL)
Honored to present a new project with the title “Resilient arts and cultural sectors? A critical analysis of the EU resilience plans” at 12th International Conference on Cultural Policy Research ICCPR 2022 in Antwerpen.